![]() ![]() ![]() In other words, if television series are sometimes – but not always – analysed as aesthetic forms, this analysis is made possible mainly by tools originating in another discipline and another media field.ĢThis text originates in a collective effort by a group of lecturer-researchers and students from a number of subject areas at the University of Rennes 2 (Language and Literature, Film Studies, Information and Communication Sciences), and emerged in the wake of an acknowledgement of the prevalence of narratological models in university studies of television series. If the question of mise en scène is sometimes invoked, conferring a strong audio-visual identity on some productions, this more full-frontal aesthetic approach remains strongly characterised by the heritage of codes of representation and analysis forged in the field of cinema. Nonetheless, on closer inspection, it seems that this often-stimulating research frequently hinges on showcasing the function of the fictions they depict, the characters who inhabit them, their themes, their structure, or their writing processes. 1The study of television series is thriving, as evidenced by the many and varied perspectives now available to allow us to approach them, be they sociological, economic, narratological, genetic, gender, or philosophical. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |